On August 7, 1955, a special limited engagement revival of Thornton Wilder‘s THE SKIN OF OUR TEETH opened at the Anta
Cast of Characters CHARLES, the goldsmith TULLIO, the apprentice LADY JEHANNE, a beauty Setting: A goldsmith’s shop in Renaissance Paris.
For the Pulitzer Prize winning playwright, Douglas, Arizona was a place to “refresh the wells” and drive into the sunset.
As Hello, Dolly! returns to Broadway, The Wilder Family and Samuel French present a conversation on staging Thornton Wilder’s works
From the Culture Desk of The New Yorker: Almost any evening, somewhere in America, the curtain is going up on
The Village Voice reviews Theatre for a New Audience's production of The Skin of Our Teeth.
Several admirers of the play spoke recently about why “The Skin of Our Teeth” endures, what makes it problematic and why this could be a ripe time for its resurgence. Here are edited excerpts from those interviews.
“The gift to the public of laughter without malice is one of the most useful things a man can do,”
Fresno Grand Opera is excited to announce the company will host a community event around its production of the opera
